When the UN special rapporteur published her report Anatomy of a Genocide in March 2024, she was lionised by some and demonised by the Trump government. She describes what happened next

In retrospect, arranging to interview Francesca Albanese in a cafe was not the best plan. Before we could start, the waitress wanted a photo with the Italian human rights lawyer. So did the cashier. Then the cook came out of the kitchen in his whites for a group photo. Some of the customers wanted their turn. Albanese was gracious with all comers and chatty in three languages, so the process took some time.

Albanese, 49, has been getting similar rock star welcomes everywhere she goes lately, which is not the norm for unpaid UN legal experts. In other times, her job title – UN special rapporteur on the situation of human rights in the Palestinian territories occupied since 1967 – would sound like a recipe for obscurity. She is one of more than 40 special rapporteurs, human rights experts appointed to do pro bono investigations and reports on areas of concern.

We must hope this vote will be the start of a wider backlash – and send hard-right populism back to the fringes where it belongs

The forces of darkness rolled back on Sunday. The mighty combined power of Vladimir Putin’s Russia and Donald Trump’s America were defeated in Hungary, as European liberal democratic values triumphed.

The populist-nativist right put their all into keeping Viktor Orbán in power. The US vice-president, JD Vance, mid-war in Iran, took time out to parade his patronage in Budapest, one month after the hard-right US Conservative Political Action Conference took place there. In January, Benjamin Netanyahu appeared in a video endorsing Orbán, with salvoes of support from Italy’s Giorgia Meloni and France’s Marine Le Pen. Herbert Kickl of Austria’s Freedom party declared that “a patriotic wind is blowing across Europe”. Maybe, but not in their direction. Patriotism does not belong to them.

Polly Toynbee is a Guardian columnist

Guardian Newsroom: Can Labour come back from the brink?
On Thursday 30 April, join Gaby Hinsliff, Zoe Williams, Polly Toynbee and Rafael Behr as they discuss how much of a threat Labour faces from the Green party and Reform UK – and whether Keir Starmer can survive as leader. Book tickets here

How a reductive worldview is stripping meaning from our most valued activities

• This article was originally published as The six-second hug on Aeon.co

For decades, films out of the Metro-Goldwyn-Mayer Studios have opened with Leo the roaring lion, garlanded with the motto ars gratia artis: art for art’s sake. Given that MGM is a money-making behemoth, we might doubt the sincerity of this high-minded sentiment. Still, it certainly expresses one of the few legitimate reasons why people should make movies. Art for the sake of anything else – profit, self-promotion, propaganda – isn’t really art at all, or at least not in its purest sense.

It therefore came as a bit of a shock to see a recent advert for the National Art Pass, which gives holders free or discounted entry to galleries and museums around the UK. The tagline “See more. Live more” sounded right: art does indeed enrich our lives. But it turned out that the “more” here was purely quantitative, not qualitative. “Grow some years on to your life with art,” proclaimed the main slogan, followed by: “Spending time in galleries and museums could help you live longer.” Art not for art’s sake, but for your heart’s sake, the fleshy not the spiritual one at that. This messaging around the arts has become ubiquitous, with Arts Council England promoting the idea that “engaging in creative and cultural activities has proven health benefits for individuals and communities”.

Wagnerites rejoice! Parsifal and the climax of Barrie Kosky’s acclaimed Ring cycle are in the pipeline. The director of opera talks about scoring a bullseye, the storms that rocked last season – and how to avoid sending audiences to sleep

The morning I meet Oliver Mears, the director of opera at Covent Garden, I’m still walking on air. The day before I’d seen Wagner’s epic Siegfried, the third part of the Ring cycle. Nearly six hours long, it is an immersion into a world of gods and giants, heroes and warrior women – but also profound and poignant human relationships. With the remarkable Andreas Schager in the title role among a superb ensemble cast, it is the Royal Opera at its best. On the way to his office, Mears walks through the backstage labyrinth. Singers are warming up; wardrobe people are discussing a costume’s last-minute fix; and a couple of mice scurrying across the canteen lend a bohemian atmosphere. Heaven (give or take the rodents).

Mears tells me about next season: course after course of operatic banquet. There will be a new Parsifal, conducted by music director Jakub Hrůša and directed, in his house debut, by the “brilliantly charismatic and interesting” Kazakhstan-born Evgeny Titov. There’s a new Un Ballo in Maschera by Verdi, with another director fresh to the house, the “stylish and rigorous” German Philipp Stölzl. There’s a return for Richard Jones’s brilliant production of Janáček’s Kát’a Kabanová with Hrůša conducting – whose interpretation of Janáček’s Jenůfa last season was one of the musical experiences of my life.

Taking a leaf out of Kenneth Grahame’s book, our writer spends a few days getting lost among the woods and riverside villages of Oxfordshire and Berkshire

Strolling through a deep tangle of beech trees to get some fresh air after a long drive, I think of the scene in Kenneth Grahame’s wistful story The Wind in the Willows, where Mole gets lost in the Wild Wood. “There seemed to be no end to this wood, and no beginning, and no difference in it, and, worst of all, no way out.”

I’ve come to South Oxfordshire to explore what was once Grahame’s old stomping ground. Although I don’t share his character’s fear of the woods, I do share his own wonder for this part of the country, close to suburbia yet wrinkled with pockets of wildness. It’s one of those spring days when the light feels elastic and daffodils brighten the verges of muddy lanes. The moon is rising, however, and smoke drifts from the chimney of a cottage just beyond the woods. Nocturnal creatures may be rousing but I’m feeling the pull of a cosy burrow. I leave the trees and head back to my accommodation, Bonni B&B, in Hill Bottom.

Alongside the oil and gas stranded in the strait of Hormuz is another commodity vital to today’s economy: helium. It is a critical element in all kinds of areas from MRI machines to the Large Hadron Collider, and even deep-sea diving. It is also integral to the AI boom. And this isn’t the first time its fragile global supply chain has been threatened. So why is helium so useful, and what will happen if the shortage continues? Ian Sample hears from co-host Madeleine Finlay, and from Sophia Hayes, professor of chemistry at Washington University in St. Louis

Clips: CBC

Support the Guardian: theguardian.com/sciencepod

Macron and Starmer will co-host Paris summit on Friday as a reports suggest that Iran-US talks could resume in Pakistan later this week

• US starts naval blockade of Iranian ports after deadline passes

South Korean president Lee Jae Myung has said rising tensions around the strait of Hormuz make it hard to be optimistic about the fallout from the Iran war, warning that high oil prices and supply-chain strains are likely to persist for some time.

Lee told a cabinet meeting on Tuesday the government should treat prolonged disruption in global energy and raw materials markets as a given and reinforce its emergency response system.

For the time being, difficulties in global energy and raw materials supply chains and high oil prices will continue … I ask that we pursue the development of alternative supply chains, medium- to long-term industrial restructuring, and the transition to a post-plastic economy as top-priority national strategic projects.”

Lebanon and Israel have been at war in some form since the early 1980s. You’re not allowed to enter Lebanon if you have an Israeli stamp in your passport. The two don’t have diplomatic relations. So the fact that these talks are happening directly between the two governments is something that’s really astonishing.

Richard Barrons backs George Robertson and says UK forces ‘too small and undernourished for the world that we now live in’

A funding boost of almost £130m is set to be distributed across cultural venues, museums and libraries in England, the Department for Culture, Media and Sport has announced. In a news release, it says:

Venues ranging from The Lowry Centre in Salford, The Hexagon in Reading and the Royal Shakespeare Company in Warwickshire will receive a much needed cash boost to help open up access to facilities, complete much needed building projects and upgrade technology on site.

The 130 organisations receiving funding today mark the first projects receiving cash from the government’s Arts Everywhere Fund. As the cost of living continues to affect families across Britain, funding for these venues will help provide welcoming, affordable spaces for communities to visit, come together and celebrate what makes their local area special.

Independent Office for Police Conduct examines allegations that the race of victim’s’ families influenced conduct of officers

The police watchdog is investigating complaints made against 11 officers over their handling of an inquiry into a car crash that killed two schoolgirls.

The Independent Office for Police Conduct (IOPC) has confirmed that the officers, including a serving commander and a detective inspector, are being investigated over alleged gross misconduct.

Exclusive: Ministers accused of trying to keep investment firm’s withdrawal from partnership with NatureScot under wraps

A funding deal to raise £100m from private investors for urgently needed nature restoration in Scotland has fallen through without the Scottish parliament being told.

The Guardian has learned that Aberdeen, the investment firm, decided to withdraw from a partnership with the agency NatureScot to raise at least £100m for conservation projects from commercial and private investors late last year.